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Zardoz is the name I've been using for my non-commercial DJ work over the last couple of decades. I recently decided to re-appropriate it for the purposes of my Blog & current Mix Project which I've affectionately dubbed USP (Ultra Sensitive Perceptions). You will find my latest USP Mixes on Mixcloud.

http://stopmyechoes.tumblr.com/

There are two ways to look at life. Actually, that’s not accurate; I suppose there are thousands of ways to look at life. But I tend to dwell on two of them. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone’s life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don’t realize it. There are many mornings when I feel certain that the first perspective is irrefutably true: I wake up, I feel the inescapable oppression of the sunlight pouring through my bedroom window, and I am struck by the fact that I am alone. And that everyone is alone. And that everything I understood seven hours ago has already changed, and that I have to learn everything again. I guess I am not a morning person. However, that feeling always passes. In fact, it’s usually completely gone before lunch. Every new minute of every new day seems to vaguely improve. And I suspect that’s because the alternative view—that everything is ultimately like something else and that nothing and no one is autonomous—is probably the greater truth. The math does check out; the numbers do add up. The connections might not be hard-wired into the super-structure to the universe, but it feels like they are whenever I put money into a jukebox and everybody in the bar suddenly seems to be having the same conversation. And in that last moment before I fall asleep each night, I understand Everything. The world is one interlocked machine, throbbing and pulsing as a flawless organism.

Dom i <3 music https://www.facebook.com/thcyes @dcthcjames

...Too many passions, too few hours in the day... Mixes for The Gallery: http://8tracks.com/the-gallery/the-gallery-presents-luis-royo http://8tracks.com/the-gallery/the-gallery-presents-bruce-davidson Tumblrs: http://japanoldandnew.tumblr.com/ http://afantasyhistory.tumblr.com/

'Don't forget the songs, that made you cry. And the songs that saved your life.'

In response to the Finders Keepers/Twisted Nerve/Bird/Battered Ormnaments stock loss in the PIAS warehouse fires caused by rioting on August 8th a few of our close label mates have come together to compile some of their favourite moments from the Finders Keepers family discography. A series of limited edition CD and MP3 compilations curated by the likes of Jarvis Cocker, Demdike Stare, David Holmes and Gruff Rhys including some exclusive and unreleased tracks, are now ready to order directly from the website and like minded retailers in a bid to ease us back onto our feet releasing phantastic obscure and obsolete music as soon as possible.

Who the hell is KidVector, and just what is he doing on the homepage? Check out my 'Get to know 8tracks' Interview http://blog.8tracks.com/post/23623671936/get-to-know-8tracks-dj-kid-vector -- A graphic designer/illustrator by trade, Adam Cain aka KidVector has been DJing for over 13 years. In that time he has played along side many artists including, Four Tet, Prefuse 73, Daedelus, Caribou, J Rocc, Nobody, Battles, DJ Vadim, Jamie Lidell and Jackson and His Computer Band. KidVector has been involved in numerous projects within the music industry, including running independent label Camshot Records, where he helped break artists Infinite Livez (Big Dada) and the excellent (and highly sought after) King Seven. KidVector also founded Akanda, an online project dedicated to monthly remix competitions, working with artists and labels such as Telefon Tel Aviv, Forss, Melodic, Memphis Industries and Ninja Tune. (Text from my last.fm wiki entry hence the third person).

A collector of words, items and things.