Call on God, but row away from the rocks. Hunter S. Thompson

Most of my mixes are some combination of indie rock, indie pop, '60s folk-rock, British invasion pop, garage rock, '60s soul, girl-group pop, tropicália, arty post-punk and the artier or poppier bits of '70s punk. Then I also have a couple mixes that focus on "experimental" broadly construed. These feature the likes of no wave, glitchy or druggy electronic music, free jazz, krautrock, drone, outsider black metal, Finnish free folk, fuzzed-out psychedelic noise rock, &c. Finally, there are a few more genre- or theme-focused mixes: black metal, doom/drone/sludge metal, guilty pleasures, noisy nihilistic punk, '90s underground hardcore emo, math rock, hip-hop/mash-up/dubstep.

My mind was filled with that great song "Lover Man" as Billie Holiday sings it; I had my own concert in the bushes. "Someday we'll meet, and you'll dry all my tears, and whisper sweet, little things in my ear, hugging and a-kissing, oh what we've been missing, Lover Man, oh where can you be..." It's not the words so much as the great harmonic tune and the way Billie sings it, like a woman stroking her man's hair in soft lamplight. The winds howled. I got cold. —On the Road, Jack Kerouac

cato & bomba

double white female

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