A hybrid adaptation of the first two Acceptable Oddities comps (which had a combined distro of about eight), Doo-Wop and Psych-Pop kicks off in the late-'50s, doing a little voodoo with Screamin Jay before dipping into some dastardly doo-wop (a few of these are by underlauded artists, others are willfully out-there). From there we psych out with some genuine rock obscurities before kicking the bucket with an acoustic Beatles B-side that's as rare as my Beard is bushy.

20 tracks